Nonconnah Memphis, Tennessee
Memphis dronegaze collective. Magpie (mostly guitars) + Denny Corsa (mostly field recordings) + occasionally Blake E. Conley (more guitars) + various accomplices of ill repute. LO-FI + DIY as fuck. Likely too loud for your hip, offbeat night out. Loves 'obsolete' and antiquated technology. Swarming with ghosts at the veil between shadow worlds. A dark elegy for our collapsing sprawlscape dystopia. ... more
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Everywhere at the end of time
by The Caretaker
supported by 15 fans who also own “To Pass Through The Walls And Vanish”
This is one of the best albums i've ever heard. I swear, I will never hear anything like it again. Don't tell anyone but I cried the first time I heard it.
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Everywhere, an empty bliss
by The Caretaker
supported by 12 fans who also own “To Pass Through The Walls And Vanish”
I believe this is the end credits to The Caretaker. EATEOT, EAEB, And AEBBTW all share one thing in common, and I believe it is the feeling of making old music sounding older. The music Kirby presents us gives emotions that are mixture between sad, calm, and even fear. Kirby calls this feeling "Empty Bliss" and I think that phrase is perfect to describe this album and the rest of Kirby's work. May the ballroom remain eternal.
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We, so tired of all the darkness in our lives
by Leyland Kirby
supported by 11 fans who also own “To Pass Through The Walls And Vanish”
Many thanks Mr K, v generous. I paid a couple of quid- didn't think I'd be counting the pounds/ pennies at my age?! Times remain challenging for all. Your music has made such a hugely positive change in my life and helps greatly when the clouds descend. I'm sure I'm not alone. I should say I also enjoy your music in the good times. Thanks again and keep on trucking mate.
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I Don't Want to Let Go, but I Need to Let Go
by Whettman Chelmets
Ambient drone with an organic flow and sense of naturalism; this album explores the concept of memory itself.
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I´m Not Smiling
by Asher Levitas
Tender and melancholy ambient pop from Asher Levitas, blurring the lines between imagined environments and real, highly personal ones.
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Deep ambient tracks that feel like swimming down into the ocean, light fading and marvelous new worlds appearing.
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Lamentations
by William Basinski
supported by 10 fans who also own “To Pass Through The Walls And Vanish”
kinda hopeful kinda sad
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